Wynn Holmes is a choreographer and director working across stage and screen. Rooted in Celtic traditional dance and shaped by both concert and commercial performance, her work shifts between raw physicality and dreamlike spectacle, creating worlds where performers embody figures both mythic and iconic within spaces that feel ritualistic and immersive.
Her work has been exhibited and performed internationally at Musée des Beaux-Arts de Bordeaux, Fondation Pernod Ricard, Théâtre national de la Colline, Beaux-Arts de Paris, Le Générateur, Cannes Film Festival - (France), Place des Arts, Centre Phi, Société des arts technologiques, Festival International de Jazz de Montréal, Théâtre ESPACE GO, Centre du Théâtre d'Aujourd'hui, Théâtre de Quat'Sous, Théatre du Nouveau Monde - (Canada), Lincoln Center, NEW INC. in collaboration with the New Museum, Center for Performance Research (United States), and the Belgrade National Theatre (Serbia). Commercial choreography, performance, publication features and collaborations include: Louis Vuitton, SSENSE, Versace, Rag & Bone, SHOWstudio, Vogue magazine, V Magazine, i-D, W Magazine, DAZED, NOWNESS, and recording artists such as Madonna, Miguel, J-Cole, Cœur de pirate, Leon Bridges, The Kills, Sleater Kinney, and RZA.
Her practice reflects a lifelong dedication to movement, music, and body-mind studies. In 2014, she discovered Jessica Fecarotta’s approach to embodied anatomy and dance, inspired by the Lilian Arlen Method, which further fueled her fascination with movement research and somatics. She continues to develop these approaches under Fecarotta’s guidance and, since 2019, has also been studying Body-Mind Centering with Bonnie Bainbridge.