Wynn Holmes’ work spans stage and film, encompassing choreography, directing, and performance design. She creates projects informed by and in collaboration with dance, music, and visual culture, moving between live performance and commercial contexts while exploring how these worlds intersect and inform each other.
Her work has been commissioned and presented internationally across stages, galleries, festivals, and screens, ranging from large-scale concert works and site-specific installations to films, global media and fashion campaigns, and hybrid multimedia experiences - with projects featured at the Cannes Film Festival, the Musée des Beaux-Arts de Bordeaux, Fondation Pernod Ricard, Théâtre National de la Colline, Place des Arts, the Festival International de Jazz de Montréal, Lincoln Center, PHI Centre, Société des arts technologiques, and the Belgrade National Theatre, as well as numerous international touring festivals and performance laboratories across Europe and North America. She has also collaborated with internationally recognized artists, brands, and cultural platforms including Louis Vuitton, Versace, GAP, SSENSE, SHOWstudio, Vogue, W Magazine, V Magazine, i-D, Dazed, Madonna, Leon Bridges, Cœur de pirate, J. Cole, RZA, Goldie Boutilier, Lou Adriane Cassidy, Elisapie, FOXTROTT, and The Kills.
Holmes is recognized for her interdisciplinary movement practice, rooted in her early training in Celtic folk dance and enriched since 2014 by advanced somatic and interdisciplinary performance research in theatre and opera. Integrating the Lilian Arlen Method and Body-Mind Centering®, she brings these influences into her creative work as well as into the workshops and residencies she leads. Her teaching emphasizes embodiment, somatic awareness, and choreographic authorship, guiding dancers, performers, and interdisciplinary artists to discover new expressive possibilities and expand their movement language.